Difference between revisions of "The 1990s - Women"
(Created page with "New Theatre History Home | '''Previous''': The 1990s - Workers | '''Next''': The 1990s - The Media ---- <span class="play">Thatcher’s Women</span>, an...") |
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| − | <span class="play">Thatcher’s Women</span>, an Australian premiere in 1990, showed the human price of Thatcherism when the economy in northern England was plummeting with the loss of factory jobs, but flourishing in the south. The title refers to women who during school hours went to London by train to Kings Cross Station to work as prostitutes to pay their bills. In the play three women who try their luck in the two weeks before Christmas run into trouble from local prostitutes and police who fine them. Kay Adshead, who had worked in a Manchester pudding factory, wrote the play after seeing a TV talk program where the English Collective of Prostitutes had increased at Kings Cross with an influx of workers from the north. Directed by <span class="person">Alan Docker</span>, the cast included his son <span class="person">Einar</span>, <span class="person">Denise Stott</span> and <span class="person">Jane Collingwood</span>. Regular NT lighting designer <span class="person">Tony Youlden</span> lit the show. | + | <span class="play">Thatcher’s Women</span>, an Australian premiere in 1990, showed the human price of Thatcherism when the economy in northern England was plummeting with the loss of factory jobs, but flourishing in the south. |
| + | <gallery heights="300px" mode="packed"> | ||
| + | 1990.6.23 Thatcher s Women.jpg | | ||
| + | </gallery> | ||
| + | The title refers to women who during school hours went to London by train to Kings Cross Station to work as prostitutes to pay their bills. In the play three women who try their luck in the two weeks before Christmas run into trouble from local prostitutes and police who fine them. <span class="writer">Kay Adshead</span>, who had worked in a Manchester pudding factory, wrote the play after seeing a TV talk program where the English Collective of Prostitutes had increased at Kings Cross with an influx of workers from the north. Directed by <span class="person">Alan Docker</span>, the cast included his son <span class="person">Einar</span>, <span class="person">Denise Stott</span> and <span class="person">Jane Collingwood</span>. Regular NT lighting designer <span class="person">Tony Youlden</span> lit the show. | ||
<blockquote class="script"> | <blockquote class="script"> | ||
'''Lynda''': If she’d have told me to go I would have done. Nobody told me it was her flamin’ pitch. | '''Lynda''': If she’d have told me to go I would have done. Nobody told me it was her flamin’ pitch. | ||
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</blockquote> | </blockquote> | ||
| − | Another Australian premiere in 1990 was <span class="play">A Death in the Family</span> by Sharon Pollock, its cast including <span class="person">Thais Alexis</span>. | + | Another Australian premiere in 1990 was <span class="play">A Death in the Family</span> by <span class="writer">Sharon Pollock</span>, its cast including <span class="person">Thais Alexis</span>. A play about the Lizzie Borden murders, the original title ''Blood Relations'' had to be altered because a David Malouf play with the same title had just played in Sydney. |
| + | <gallery heights="300px" mode="packed"> | ||
| + | 1990 aug - a death in the family.jpg | | ||
| + | 1990 feb - queen christina.jpg | | ||
| + | </gallery> | ||
| − | <span class="play">Women On Stage</span> directed by <span class="person">Robyn Davies</span> was workshopped in 1993. Dorothy | + | The subject of Pam Gems' <span class="play">Queen Christina </span>, staged in 1990, was the Swedish monarch raised as a boy. The title role was played by <span class="person">Elaine Hudson </span>, later a Life Member, in her first NT appearance. |
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| + | <span class="play">Women On Stage</span> directed by <span class="person">Robyn Davies</span> was workshopped in 1993. | ||
| + | |||
| + | <span class="writer">Dorothy Hewett</span>’s autobiographical <span class="play">The Chapel Perilous</span> was staged in 1994, as was <span class="play">Jigsaws</span> by Australian journalist <span class="writer">Jennifer Rogers</span>. | ||
| + | |||
| + | <gallery heights="300px" mode="packed"> | ||
| + | 1994.6.24 Chapel Perilous.jpg | The Chapel Perilous, 1994 | ||
| + | </gallery> | ||
| + | |||
| + | <span class="person">Tasma Walton</span> and <span class="person">Nicolle Dickson</span> were in the cast of five, playing women spanning three generations. | ||
| + | |||
| + | In the 1990s the New was a supporter of the <span class="group">Older Women’s Network</span>. | ||
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[[Main Page|New Theatre History Home]] | '''Previous''': [[The 1990s - Workers]] | '''Next''': [[The 1990s - The Media]] | [[Main Page|New Theatre History Home]] | '''Previous''': [[The 1990s - Workers]] | '''Next''': [[The 1990s - The Media]] | ||
Latest revision as of 13:08, 26 August 2017
New Theatre History Home | Previous: The 1990s - Workers | Next: The 1990s - The Media
Thatcher’s Women, an Australian premiere in 1990, showed the human price of Thatcherism when the economy in northern England was plummeting with the loss of factory jobs, but flourishing in the south.
The title refers to women who during school hours went to London by train to Kings Cross Station to work as prostitutes to pay their bills. In the play three women who try their luck in the two weeks before Christmas run into trouble from local prostitutes and police who fine them. Kay Adshead, who had worked in a Manchester pudding factory, wrote the play after seeing a TV talk program where the English Collective of Prostitutes had increased at Kings Cross with an influx of workers from the north. Directed by Alan Docker, the cast included his son Einar, Denise Stott and Jane Collingwood. Regular NT lighting designer Tony Youlden lit the show.
Lynda: If she’d have told me to go I would have done. Nobody told me it was her flamin’ pitch.
Norah: There’s nothing broken anyway.
Lynda: One minute I was standing there minding my own business, next minute the incredible hulk’s on top of me.
Norah: You’ll have a fat lip, mind.
Lynda: Vicious cow. I could have the law on her. If I’m marked that’s it – I might as well go home now and I’ve forked out £80 on this place already.
Another Australian premiere in 1990 was A Death in the Family by Sharon Pollock, its cast including Thais Alexis. A play about the Lizzie Borden murders, the original title Blood Relations had to be altered because a David Malouf play with the same title had just played in Sydney.
The subject of Pam Gems' Queen Christina , staged in 1990, was the Swedish monarch raised as a boy. The title role was played by Elaine Hudson , later a Life Member, in her first NT appearance.
Women On Stage directed by Robyn Davies was workshopped in 1993.
Dorothy Hewett’s autobiographical The Chapel Perilous was staged in 1994, as was Jigsaws by Australian journalist Jennifer Rogers.
The Chapel Perilous, 1994
Tasma Walton and Nicolle Dickson were in the cast of five, playing women spanning three generations.
In the 1990s the New was a supporter of the Older Women’s Network.
New Theatre History Home | Previous: The 1990s - Workers | Next: The 1990s - The Media
